Qiu Anxiong core of the exhibition the collection Crow, “an animated narrative,” is a two-part three-channel stop-motion video, ‘s new book the mountains and the Sea (2006-2007)which refers to the Chinese avant-garde has become the dominant Chinese face the wide world of art.
The use of animated videos (not pure landscape painting) can be seen as concessions to contemporary electronic culture; seems to be a popular medium for artists who worked on China Western audiences. (Another example is Cao Fei exhibition recently in the Coppa Volpi in Austin.) Qiu’s the use of stop-motion animation is probably destined to be measured against the William Kentridge, but even if he doesn’t match the complexity of subjective last, serious and moving his sincerity. Also on display are some of the related wood carving, and some of the paintings used in making animation.