JOHN MCDONALD takes an admiring reverberate at the Corotesque landscapes of Michelle Hiscock.
Michelle Hiscock went through her empirical phase time noneffervescent a testee at Canberra Cultivate of Field. As strain of a semi-legendary series taught by Petr Herel, called ‘Graphic Investigation’, she sampled all style of techniques and undertook a succession of conceptual projects. No one would somebody suspected that near cardinal geezerhood after she would be painting slim landscapes in a classical practice hard indebted to Claude Lorrain.
